Cogent Arts & Humanities
A postcolonial ecocritical reading of Yaa Gyasi’s Homegoing (2016) and Kwakuvi Azasu’s The Slave Raiders (2004)
Volume 9, Issue 1, January-December 2022.
Cogent Arts & Humanities
Appraisal patterns used on the kalimantan tourism website: An ecolinguistics perspective
Volume 9, Issue 1, January-December 2022.
Cogent Arts & Humanities
Construction of women in media: A critical discourse analysis on violence against women in newspaper
Volume 9, Issue 1, January-December 2022.
Cogent Arts & Humanities
Rhetorical strategy preferences in newspaper editorials
Volume 9, Issue 1, January-December 2022.
Cogent Arts & Humanities
Semiotic staging of the ideological point of view in Amiri Baraka’s Slave Ship: A social-semiotic approach
Volume 9, Issue 1, January-December 2022.
Culture
Between matter and meaning: the trope of the Kopftuchmädchen
Volume 63, Issue 1, February 2022, Page 43-60.